A calf is shown in a green field at night. The influence of miniature painting in this picture has been taken from the painting of Akbar period.

This painting depicts Shiva as Digambaraya—clad only in the infinite sky, adorned with ash, serpents, and silence. Seated in serene asceticism, he transcends all materiality. The elements themselves become his garment, embodying detachment, vastness, and the cosmic truth that divinity needs no adornment—only presence, stillness, and boundless infinity.

This artwork captures a deeply spiritual and emotional moment, depicting a South Indian girl in a vibrant traditional saree, kneeling in devotion before a divine blessing. With her hands raised in prayer, adorned with jasmine flowers and cultural ornaments, she embodies the purity, faith, and grace of South Indian tradition.

This painting portrays the warmth of a traditional Indian home. A red-orange door set against yellow walls welcomes the viewer, with a potted plant, hanging lantern, and niche adding charm. The glimpse of the inner courtyard, textured frame, and delicate details evoke nostalgia, festivity, and the essence of homeliness.

Three points, one truth— mind, heart, and infinite sky. Each angle holds a mirror, reflecting the others without end. At the summit, silence reigns. At the base, creation blooms. Between them flows the current of all that was, is, and will be— the universal, undivided gaze.